Which Key Harmonica to Use?

Playing a straight harp song in C? No problem. To play in straight harp, you just match the key of your harmonica to the key of the song. To play in C, use a C harmonica.

Cross harp is a little more complicated – the C harmonica doesn’t play blues in C, it plays blues in G. Why? Because your C harmonica has two chords built into it: a blow chord (C) and a draw chord (G). The draw chord is the basis for your cross harp melody playing, so a little mental math is required to choose a harmonica.

The formula for cross harp is “count to four, alphabetically.”

Let’s say you want to play an E blues. Start on E and count up four notes, alphabetically. That’s “E, F, G, A.” So to play an E blues in cross harp, you need an A harmonica. Got it?

There are seven basic keys which are handy to know, and they’re named using natural notes: A, B, C, D, E, F, G.

Blues Key –> Harmonica Key

A –> D
B –> E
C –> F
D –> G
E –> A
F –> B-flat
G –> C

There are twelve keys total, and most experienced harmonica players have one in each key, to cover all the possibilities. That starts to add up, so if you’re not jamming with other players that much yet, don’t worry about getting a full set. The most common blues keys for guitarists are E, A, D, and G, so you could start with harps in A, D, G, and C (respectively).

Remember, the layout is the same on every diatonic 10-hole harmonica, regardless of key, so what you learn on one, you can transfer to the others. If you’re just getting started, stick with C for awhile, learn to get single notes and bend accurately, then branch out with an A or a G harmonica.

If you’re starting to play more with other musicians, make a chart and some flashcards. Learn what harp you need to play the blues in each key. A little music theory goes a long way!

Cross Harp & Straight Harp

Traditional harmonica music is usually played in one of two styles: straight harp or cross harp. Both styles use a combination of blow and draw notes, but in straight harp, your melodies tend to resolve on the blow notes, while in cross harp, you emphasize the draw notes.

Straight harp is the classic position for cowboy songs, folk, and traditional major-key melody playing.  Cross harp is ideal for blues, gospel, and soul sounds.

Why? The big difference lies in cross harp’s emphasis on draw notes.  You can bend the inhale notes on holes 1-6, which produces wailing, bluesy sounds that are perfect for Southern roots music.

Straight Harp major scale

4 -4 5 -5 6 -6 -7 7

Cross Harp major scale

-2 -3″ -3 4 -4 5 -5 6

Cross Harp blues scale
-2 -3′ 4 -4′ -4 -5 6

Because of the possibility of bending notes on the low draw notes, you can actually get two different scales in cross harp. This starts to require some serious accuracy in your bending, so if you’re a beginner, you’ll want to take some time and get really solid on your single-note and bending basics.

How to Play Single Notes

To play clear melodies, you need to learn to isolate one hole at a time. There are a couple of different ways to play single notes on the harmonica, but the most useful one is the pucker technique.

1. Make big “fish lips” and put the harp in your mouth.
2. Your lips will actually be on the top and bottom coverplates.
3. Firm up your pucker and keep stiff cheeks.
4. You might need to press the harp into your mouth slightly.

Blow into the harmonica and listen. Are you getting a clear single note yet? If not, adjust VERY SLIGHTLY left or right while keeping the harp in your mouth. Press the harp in a little bit and keep your pucker and your cheeks firm.

Experiment with this and you’ll get it. Once you have a clear single note, try alternating between blow and draw on the same hole, then doing the same thing on the next hole over. Have fun!

How To Read Harmonica Tablature

The system I’m using here is called “tablature,” or “tab” for short, and it tells you which hole to play, whether it’s a blow or draw note, and whether a bend is required. Plain numbers are blow notes, numbers with a minus sign are draws.

Blows & Draws
1 means blow on hole 1
-1 means draw on hole 1

Bends
-3′ means draw on hole 3 with a half-step bend
-3″ means draw on hole 3 with a whole-step bend
-3″‘ means draw on hole 3 with a step-and-a-half bend

Same idea for blow bends, except the number won’t have a minus sign.

Ready to head back to the Tabs page?

There are a number of harmonica tab systems out there, but I got this one from the Austin, Texas harp teacher Michael Rubin. I like it because it uses only ASCII keyboard keys, which makes it easier to type songs and post online. Other systems use up and down arrows, or circles around the numbers to communicate blows and draws.

Simple tab systems don’t give you rhythm instructions, so they work best to get you started on songs you’re already familiar with. It is possible to learn new songs using tab, but you’ll need audio examples to demonstrate how they’re supposed to go.

You don’t have to know how to read music in order to get started, but in the long run it’s a good idea to learn standard notation, at least for counting rhythms, since it communicates a lot more information.

Buying A Harmonica

What Harmonica Should I Buy?
For beginners, I recommend getting a Hohner Special 20 in the key of C, because it has a plastic comb and is more airtight than the wooden comb models. The biggest thing, regardless of the brand, is to get something in the $25-35 range. Any cheaper than that, and it won’t sound as good or play as easily. Hohner is the most popular brand worldwide, but Lee Oskar, Suzuki, Herring, and others also make great harmonicas.

Where Can I Buy a Harp?
If you live in the NC Triangle and you want to shop locally in Carrboro, there are two music stores on Main Street between Wendy’s and the PTA thrift store. The Music Loft is the bigger one, and Carrboro Music is on the corner. In Raleigh and Durham there are also music stores, and most of them will carry a Hohner Special 20 in C.

Online, you can get harmonicas at Amazon or Musicians Friend, but I enjoy supporting the more harp-centric HarmonicaStore.com.

Do I Need Other Keys?
Probably not at first, but eventually, yes. Harmonicas are available in all 12 major keys. After C, you’ll probably want G, A, and D, probably in that order.

G is pitched much lower than your C harp, so those high melodies played on holes 7-10 that sounded shrill on the C will sound more mellow on a G.

This is a big relief, since there are lots of melodies you’ll have to play on 7-10 until you learn to bend consistently on holes 2 and 3. Low harps are also good for practicing your blow bends.

A is also a relatively low-pitched harp, and it allows you to play cross-harp blues in the key of E, which is pretty much the most common blues key for guitar players.

The D is actually higher-pitched than your C harp. This takes a bit of getting used to, but on the plus side, you can count on cutting through the mix, which is not always the case on a low harp! On a D, you can play cross-harp blues in the key of A, which is the second most popular blues key for guitarists.

Harmonica Basics

Just to get started, let’s take a big-picture view of what to think about on harmonica. Seems to me the basics are: how to breathe through it comfortably without passing out, how to use lip blocking to get single notes, and how to bend notes.

Breathing Comfortably
Turn the harp over so you get numbers on the top cover plate and the left side gives you low notes. Try blowing and drawing on holes one through two or three, just the low notes. Maybe keep a rhythm. You don’t have to pull very hard, just use shallow puffs and you won’t get lightheaded.

Single Notes
Push out your lips as if to whistle. Make big fish lips (an idea I got from John Gindick via Adam Gussow), pouting so the insides of your lips are facing out. Put the harmonica well into your mouth so your top lip is on top of the coverplate. Keep your cheeks firm, and use the muscles on the inside of your lips to focus your air into a single hole. You may need to press the harp into your mouth a little bit. It doesn’t take much side-to-side movement to zero in on a single note, mainly it’s your embouchure (mouth shape). Try blowing and drawing while keeping a single note.

Bending
Play a strong single note on 1 or 4 draw. Pull your tongue back and up, going from an “eee” to a “yoo” feel, and maybe drop your jaw a little. This will change the suction and pull the note down in pitch. It may just wiggle a little at first, so be patient, keep trying, and you’ll get it.

That’s a start! In person I can answer your questions a little better, but go ahead and experiment now. Have fun!